Selmer Trumpet Serail Numbers Serial Number 22Xxx#
Selmer Trumpet Serail Numbers Serial Numbers Range From#

Selmer Trumpet Serail Numbers Serial Number 22Xxx

Henri Selmer Paris Holton King Leblanc. Henri Selmer Paris K Modified 24B Professional Trumpet Mod (serial number 22xxx). Selmer Omega Trumpet Case. The whole family is offered, including a c- melody saxophone. 2 makes way for the Model 2.

1964 K-Modified model 24B, serial 28685 1964 DeVille model, serial 31851 1965 K-Modified model 24B, serial 32300 1966 Maurice Andre starts as a consultant for Selmer trumpets 1967 Eb Year Number 19 265 1 1177 1936 1459 1937 1633 1938 1979 1939 2472 1940 3146 1941 3350 1942 3380 1943 3939 1944 4160 1945 4308 1946 4700 1947 5409 1948 6441 1949 7477 1950 8521 1951 9641 1952 23,000 1961 24,300 1962 25,500 1963 26,600 1964 29,400 1965 32,500 1966 35,000 1967 38,800 1968 41,800 1969 44,800 1970 47,800 1971 51,100 1972 53,300 1973 56,000 1974 58,700 1975 60,900 1976 64,100 1977 67,300 1978 69,500 1979 71,700 1980 74,700 1982 76,300 1983 78,500 This list applies to trumpets only. (Serial Number) The minimum five-character number printed by a manufacturer on each set of charity game. A serial number is a unique number assigned for identification which varies from its successor or predecessor by a fixed discrete integer value. Selmer K Modified Trumpet Serial NumbersSelmer Paris Trumpet Serial Numbers - Used Tenor Saxophones For Sale - Holton T602 Trumpet Selmer Paris Trumpet Serial Numbers. By 1900 Selmer was also manufacturing Alto Clarinets, Bass Clarinets, Flutes.

Reynolds, decided to locate here because of manufacturing conditions, nearness to supply of raw materials and convenience of distribution of the finished product.The company has leased for ten years a modern three-story brick building at 2837-53 Prospect Avenue S. Reynolds Co., Inc., recently organized. The Cleveland Plain Dealer reported in late March of that year that: Another new industry has been located in Cleveland in a transaction reported closed yesterday by Granger Factory Space Brokers, 320 Hippodrome Building. The new company was located at 2845 Prospect Avenue in Cleveland, near the campus of former Fenn College, now Cleveland State University. Reynolds (1884-1960) founded the F.A.Reynolds Company. The above table was partially constructed based on.In early 1936, a few months after his 51st birthday and more than 30 years work at the H.N.

The Roth trumpets, cornets and trombones that had been manufactured by Ohio Band were rebranded under the F.A. Reynolds Band Instrument Co.In a July 1946 newspaper listing.4 1947: Under Scherl & Roth ownership, operations for Reynolds and Ohio Band were eventually merged and the latterвЂ™s Regent instrument line discontinued. Max Scherl is referred to as president of the F.A. 1946: After spending over ten years building and securing his companyвЂ™s place in the brass instrument industry and over 40 years in the industry overall, Foster Reynolds sold his shares of the operation to Max Scherl and/or the Scherl & Roth Company.

Deluxe versions of Emperor and Roth cornets, trumpets and tenor trombones featured a two-piece brass and nickel-silver bell. Registered in 1952, the trademark registration was renewed once in 1972 before being allowed to expire by the current owners. According to the trademark application filed with the U.S.Patent Office, the model name вЂњEmperorвЂќ was first used on November 1, 1947. The Emperor models acted as intermediate вЂњstep upвЂќ horns from the entry-level Roth (and later, Medalist) models. In November, the Reynolds expanded their instrument lineup with the moderately priced Emperor trumpet, cornet and tenor trombone models in an effort to reach more advanced student musicians.

Patent Office, the name вЂњContemporaвЂќ and original stylized script were first used on and designated for вЂњcornets, trumpets, trombones, altos, baritones, basses, french horns, clarinets, oboes, piccolos, flutes, bassoons and euphoniums.вЂќ Registered in 1951, the trademark registration was renewed once in 1971 before being allowed to expire by the current owners.1952: The F.A. According to the trademark application filed with the U.S. The new models were allegedly designed and produced in collaboration with musicians from the Cincinnati Symphony Orchestra. These new instruments featured larger bore sizes and golden bronze-alloy bells with nickel-silver tone rings, as well as other distinctive features such as Monel valve pistons and tuning slide triggers for improved intonation control. 1949: Following on the Emperor line, Reynolds introduced вЂњContemporaвЂќ in May 1949 as a new premium model line.While most existing Reynolds instruments were simply rebranded as Contempora models, the Reynolds trumpets, cornets and tenor trombones were renamed as the Professional model line and new designs were introduced for the Contempora models.

Reynolds Company (doing business as вЂњRoth-ReynoldsвЂќ) and the Ernst Heinrich Roth Company. 1955: Max Scherl retired, leaving Heinrich Roth as the President and owner of Scherl & Roth, the F.A. All Reynolds instruments are now engraved вЂњMade by Roth-ReynoldsвЂќ instead of вЂњMade by F.A.

The cornet model was introduced first c.1955, followed by the trumpet and trombone in 1959. Reynolds also introduced the inexpensive вЂњHi-FiвЂќ model line as an intermediate set of large-bore, brass-bell trumpets, cornets and trombones вЂ” a bit of a cross between the large-bore (but bronze-bell) Contempora line and the brass-bell (but medium-bore) Professional instruments, but sold at the same price as the Emperor line of instruments, which they were generally styled after. Olds (led by Foster Reynolds) and virtuoso artist Rafael Mendez had collaborated on for release in 1952. It is likely that the Leonard Smith models were a response to the Olds Mendez models that F.E.

Selmer Trumpet Serail Numbers Serial Numbers Range From

As a Conn 8D player, Chambers was familiar with the Kruspe-Horner layout of the Reynolds Pottag horn, but wanted to incorporate some of the playing characteristics and physical constructions that he was used to from his Conn horn. Known serial numbers range from 0 and, like many original Reynolds models, the вЂњHi-FiвЂќ models did not survive the manufacturing move from Cleveland to Abilene/Fullerton after CMI purchased F.A.1956: In the mid-1950s, Roth-Reynolds approached James Chambers (New York Philharmonic, 1946-1969) with a similiar idea for collaboration as what Max Pottag had provided Reynolds a decade earlier (see Reynolds Double Horn, Pottag Model).